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Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。一名年轻女子驱车前往一个偏僻的度假胜地，她疏远且犯罪的父亲希望在那里重拾他们的关系。当她到达时，她和她带来的女友遇到了她父亲过去认识的危险男人，他们必须拼命逃脱。。该剧聚焦贵州乡村振兴故事，讲述新一代青年在悬崖村推动一产、二产、三产融合发展，助力美丽乡村建设的奋斗历程。该剧历时三年创作筹备，拍摄期间，辗转贵州多地取景，深度挖掘黔地地理风貌与人文特色，反复打磨优化细节，力求呈现最真实的乡土质感。。