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1954年的英国电影《轰炸鲁尔水坝记》 (The Dam Busters)，这部电影几乎以纪录片的形式记录了第二次世界大战中1943年5月16日晚上英国皇家空军执行的“惩戒行动”。 This film, details the Allied efforts to target German dams during World War Two. In very methodical, but also enthusiastic fashion, they figured out what plane, what bomb, what angle, what altitude, etc., were necessary to inflict maximum damage to the dams, while minimizing losses to the planes. The answer they came up with, sounds absurd, but it worked: very large, cylindrical bombs rotating backwards at a high rate of speed, causing them, when dropped, to skip along the sureface of the water, right up to the base of the dam. 要炸掉水坝，可不是容易的事情，电影详细介绍了炸弹设计者的设计过程，以及英国军方采纳这个计划的过程(因为乍听起来实在像是天方夜谭)，这个片子看起来决不乏味，甚至是相当令人激动地。该片获第28届奥斯卡最佳效果奖提名及第9届英国电影学院最佳电影，最佳英国电影和最佳编剧3项提名。。这部人物传记片塑造了1837年至1901年间的维利多亚时代的一位著名画家——路易斯.维恩的形象。他担任插画师时能力绰绰有余，却还要另外花费大量精力去研究如何将电力为人类所用。他兴趣广泛，懂得钻研、肯下功夫，但他的母亲和五个妹妹却时时将他拉回现实，他总是为了生活和全家的债务不得已奔波忙碌。后来他与妹妹的家庭教师艾米丽相爱并结婚，因为二者地位不同受到妹妹们和社会的反对。不久之后艾米丽因病去世，他们二人收养的流浪猫彼得成了主人公路易斯.维恩的情感寄托和灵感源泉。后来他画的猫风行全国，天才的名声甚至传到了大洋对岸，但不擅理财的他到了晚年时期只能住在病房中，而让他认识到世界如此美好的艾米丽也成为了他最后的精神归宿。。As the Islamic Republic took power, morality squads staged arbitrary raids in Tehran and as fundamentalists seized hold of the universities, the women in Nafisi’s living room, whose rights had been systematically removed, risked everything to find a safe space to remove their veils and speak their minds. Despite the grave danger they are in, they find hope as their stories inte...。